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Pro Tools HD Series Interfaces

Capture and play back audio in stunning clarity and easily work with a wide range of digital I/O formats with Pro Tools HD Series interfaces, which set the bar for quality, flexibility, and value. Whether you want complete audio control by way of tight Pro Tools|HD integration, or want the flexibility to work with other DAW software, there’s a Pro Tools HD Series interface (or two) that’s right for you.

 

HD I/O

Get the absolute highest audio quality and unprecedented I/O flexibility with HD I/O, a high-performance Pro Tools HD Series audio interface that’s designed to completely integrate with Pro Tools|HD systems. While its sleek look resembles its prior generation interfaces, HD I/O has been completely redesigned on the inside with high-quality electronics, giving you pristine, best-in-class A/D and D/A conversion and the lowest possible latency. Plus, with three configurations to choose from and a modular design, you can expand and customize the interface for your connection needs.

Key Features

  • Pristine audio clarity and ultra low latency through state-of-the-art A/D and D/A conversion, premium analog circuitry, and meticulous attention to design
  • Adapt the interface for your needs—choose from three configurations:
    • Get a balance of analog and digital I/O with HD I/O 8x8x8
    • Maximize your analog I/O with HD I/O 16x16 Analog
    • Go all digital with HD I/O 16x16 Digital
  • Versatile digital I/O on all interfaces, with built-in sample rate conversion
  • Completely integrates with Pro Tools|HD for full input, output, and routing control

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HD MADI

Expand your Pro Tools|HD workflow to integrate with MADI-equipped devices—including routers and digital mixing consoles—with the all-digital HD MADI interface. The perfect solution for integrating Pro Tools|HD into post-production and broadcast environments, HD MADI gives you great connection flexibility, fuss-free use through built-in sample rate conversion, and the ability to send and receive up to 64 channels of audio between your Pro Tools setup and MADI devices up to 2 km (1.24 miles) away—all with a single rack unit interface.


Key Features

  • Send and receive up to 64 audio streams between Pro Tools|HD and other MADI devices
  • Maintain maximum audio fidelity, with up to 24-bit, 192 kHz sample rate support
  • Gain connection and routing flexibility through optical and coaxial connections:
    • 2 MADI inputs (optical and coaxial)
    • 2 MADI outputs (simultaneous optical and coaxial)
  • Forget having to match sample rates, thanks to built-in SRC on all I/O channels
  • Sync to an external clock through dedicated BNC Word Clock and XLR AES/EBU connections when using SRC on output
  • Completely integrates with Pro Tools|HD for full input, output, and routing control
  • Compact 1U rack-mountable design overcomes space limitations

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HD OMNI

Capture pristine, high-resolution audio through premium mic preamps and monitor your sessions in up to 7.1 surround with the all-in-one HD OMNI interface. Designed to completely integrate with Pro Tools|HD, HD OMNI is an ideal choice for individual musicians, composers, post-production studios, and anyone else who demands top sound quality and the convenience of an all-in-one interface. Experience best-in-class A/D and D/A conversion, mic preamps, the lowest possible latency, and a full monitoring section—all in one compact interface.


Key Features

  • Pristine audio clarity and ultra low latency through state-of-the-art A/D and D/A conversion
  • High-quality, low-noise analog I/O:
    • 2 premium, digitally-controlled mic/DI preamps
    • 4 line inputs
    • 8 line outputs, with true analog gain
  • Versatile digital I/O, with sample rate conversion:
    • 8 channels of ADAT I/O (supports S/MUX II and IV)
    • 2x8 channels of AES/EBU I/O
    • 2 channels of S/PDIF I/O
  • Completely integrates with Pro Tools|HD for full routing, mixing, and monitoring control
  • Supports 4x8 analog audio streams, or 8x8 including digital

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PRE

Capture pristine, high-quality sound with PRE. Featuring eight discrete, matched-transistor, hybrid mic preamp circuits, PRE provides a transparent signal path, and easily accommodates your mic, line, and direct instrument (DI) level inputs on all eight channels. Plus, you can place PRE anywhere in your studio, thanks to its remote-controllable operation, which you can access through Pro Tools HD software or an Avid control surface. And because PRE also functions as a standalone device, you can get the same sonic quality when working with any application and outboard sound module.

 

SYNC HD

Keep even your largest Pro Tools|HD and audio-video productions in total sync. SYNC HD attains near sample-accurate lock to serial timecode (through RS-422), LTC, or bi-phase/tach signals, incorporating a high-fidelity, low-jitter master Word Clock that supports operations up to 192 kHz, as well as standard pull-up/pull-down rates for film and video applications.

SYNC HD also features AES/EBU clock I/O, SD and HD video reference in/thru, video program in/out with timecode window inserter, and a host of other features, making it a must have for Pro Tools|HD professionals in commercial music and post-production facilities.

Features

  • High-fidelity, low-jitter master clock
  • Near sample-accurate lock to timecode or bi-phase signals
  • Word Clock I/O up to 192 kHz capable
  • Supports all major industry-standard clock sources and timecode formats
  • Supports SD and HD video reference input (tri-level sync) up to 1080p / 60 fps
  • Supports standard pull-up/pull-down rates for film/video
  • Video input with timecode window inserter

Specifications

Dimensions

  • Width: 19 in / 48.26 cm
  • Height: 1.75 in / 4.45 cm
  • Depth: 10.63 in / 26.99 cm
  • Weight: 7.81 lbs / 3.54 kg

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